
PEOPLE. STORIES. CONNECTIONS.
I have spent decades working within the visual effects industry, first as an artist and later across communication, business development and editorial. Along the way, I have built an extensive international network and developed a unique perspective on the people, studios and stories behind visual effects.
PAST · PRESENT · FUTURE

PAST
From artist to industry professional.
My journey in visual effects began in Paris in 2001 at Duboi, working as a rotoscope artist on Asterix & Obelix: Mission Cleopatra.
Over the following decade, I worked as a digital compositor for studios including Duboi, Mikros Image, Mac Guff, Modus FX and Cinesite, contributing to feature films, commercials and other productions across France, Switzerland, Canada and the UK.
My career as a VFX artist culminated in London at Cinesite, working as a digital compositor on John Carter. From there, my experience behind the images gradually evolved into a broader role within the industry — connecting studios, people and stories.
PARIS · MONTRÉAL · LONDON · SWITZERLAND

PRESENT
Connecting people, studios and stories.
Today, I bring together decades of experience in the visual effects industry and an extensive international network to work across communication, PR, business development and industry relations.
Over the years, I have collaborated with VFX studios in Europe and North America, helping them strengthen their visibility, develop new connections and tell the stories behind their work.
Since 2016, I have been working with RISE Visual Effects Studios across PR and business development.
PAST CLIENTS: CRAFTY APES · NVIZ · RODEO FX · ELEFANT STUDIOS
THE ART OF VFX
In 2010, I founded The Art of VFX, an independent publication dedicated to the artists, supervisors and studios behind visual effects for film and television.
Through interviews, behind-the-scenes stories and industry coverage, The Art of VFX has become another way for me to connect with the international VFX community and document the people and work shaping the industry.
VISUAL EFFECTS SOCIETY
I have been a member of the Visual Effects Society since 2012 and served for six years on the Board of Managers of the London Section, further extending my involvement within the international VFX community.
COMMUNICATION · PR · BUSINESS DEVELOPMENT · EDITORIAL

FUTURE
I’m always exploring what’s next.
After decades in visual effects, I continue to explore new ways to contribute to an industry that never stops changing.
New editorial projects and publications are currently taking shape, alongside the next evolution of my role within the VFX industry.
THE NEXT CHAPTER IS ALREADY IN THE MAKING.

LET’S TALK
Whether you want to discuss visual effects, communication, business development or a new opportunity, I’d be happy to hear from you.